Roughhouse finished their tour and returned home to Philadelphia
in January 1989 with an uncertain future in front of them.
Advance orders for the album hadnt been strong due
to most retailers failure to connect Teeze and Roughhouse
as the same band. This impacted the marketing and promotion
departments at Columbia who were now receiving mixed signals
from Champion regarding the firms long term commitment
level to the project.
Even though the "Tonight" track did manage to
make a number of key radio station playlists around the
country, it was quickly dropped when the group wasnt
able to land concert dates to support local interest. And
in retrospect, the song probably wasnt the best choice
as the lead single (strangely enough, "Dont Go
Away" was probably the original choice and appears
as the albums first track).
MTV had added the video to its hugely influential "Headbangers
Ball" show, but claimed that fans werent calling
in as expected and dropped it prior to the start of the
new year. The William Morris agency also dropped the ball
and was never able to land a supporting tour slot for the
group. The only good thing happening at this point was that
Roughhouse was still appearing in most of the major metal
press around the world (thanks entirely to the brilliant
work of Annette Minolfos Hot Shot Public Relations
firm) and east coast concert dates were still routinely
selling out.
This was the current state of affairs when the group was
summoned to New York for a critical meeting with Champions
Randy Hoffman and Columbia executives. It proved to be a
very short meeting with the band returning home without
a label or manager.
Luis, Gregg, Dave, Mike and Rex re-grouped in the summer
of 1989 and set out to find a new label and manager (which
would prove to be difficult now that most managers
were looking for Seattle-based bands and werent ashamed
to say so). They also were able to put together several
new songs. Session time was booked at Galaxy Studios in
New Jersey and resulted in a six song master featuring songs
such as "Play Dirty", "Drive Me Mad",
"Somewhere Girl" and "Action Speaks".
Once again, tension was high between the groups members.
There were disagreements over writing and recording (some
members wanted to bring in additional musicians to the sessions,
others didnt). This all boiled over soon after the
completion of the master. Rex announced he was leaving.
And if that wasnt enough of a blow, Gregg finally
threw in the towel after a ten year battle to put Teeze/Roughhouse
on top. He broke the news that he was leaving too. The final
show for this lineup would be at the Airport Music Hall
in Allentown, PA. Surviving video of that show clearly depicts
a drunken Dave Weakley staggering around the stage and the
rest of the group struggling to keep it together. At that
time, Weakley was the only member in the know that Rex would
be leaving.
Luis, Dave and Mike made the decision to remain together
and the call went out for two new guitar players in February
1990. Two new members were chosen from hundreds of demo
tapes. One of those was a guy with firey-red hair named
Rob Levy who had some serious blues chops. The reconstituted
Roughhouse spent the rest of the year getting familiar with
each other and writing new material. A new management team
was finally secured, money was fronted for new recording
sessions and the new band entered Philadelphias famed
KayGem Studios (home of Cinderella) and Victory Studios
in early 1991.
Former Teeze guitarist Brian Stover produced the sessions
that gave the band new songs such as "These Blues",
"Brass Bed Dance" and "Tears Of Joy".
The resulting demo was shopped by the new management team
and showcases were held for Atlantic, MCA and Geffen, but
Roughhouse was now falling victim to a changing musical
landscape. MTV was dropping 80s-styled bands left and right,
local clubs were chasing out "original" bands
in favor of less risky cover acts and the major labels were
openly hostile to anything that wasnt from Seattle.
The boys finally decided to call it quits in October of
1991.
A number of successful mini-reunions with Luis, Gregg, Dave,
Mike and Rex took place in 1992 and 1993 putting
an end to the career of what many still consider as the
finest theatrical hard rock act ever to come out of Philadelphia.